News and Stories from Identity Letters.
People have identities. So do typefaces. Fonts matter because identity matters.

News & Stories from Identity Letters

We don’t just make fonts. We talk fonts. We breathe fonts. If you’re here, you’re probably like us. Are you? Great! This blog is for you. Enjoy some musings about the historical background of our typefaces, the process of type design, our approach to the type business, and, of course, using fonts: how to pick a typeface, how to combine fonts, how to use OpenType features, etc. We welcome your comments: Feel free to add to the dialogue.

Foundry

Black Week @ Identity Letters

In Use

Seratolin

In Use

Schütze Public Results

Foundry

Allrounder Posters Gallery

Foundry

Celebrating Allrounder with free merch for you

Resources

Allrounder superfamily 2.0: What’s it all about?

Resources

The Birth of Allrounder

Foundry

New Test Fonts

Foundry

Get to know Moritz Kleinsorge

Foundry

Meet the Team

Foundry

Welcome to Identity Letters. Welcome to our headquarters.

In Use

Landesmuseum Natur und Mensch Oldenburg

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Nordfjord Opera House Visual Identity

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Flink Neue Bauhaus: IHK Cover

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Glance Sans: Nolde

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Allrounder Grotesk / Antiqua: Staatstheater Meiningen

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Werksatz: Schwindelerregende Höhen

In Use

Glance Sans: SMP Corporate Design

Resources

Interview about Layfort @ IloveTypography

In Use

Glance Sans: Punctum graduation catalogue

Corprate Typefaces (theory)

[01] Two Levels of a Typeface

Corprate Typefaces (theory)

[02] The Importance of Type in Design

Corprate Typefaces (theory)

[03] The Type Character / Theory

Corprate Typefaces (theory)

[04] Type Characteristics / Formgestalt 01

Corprate Typefaces (theory)

[05] Type Characteristics / Formgestalt 02

Corprate Typefaces (theory)

[06] Le Romain du Roi

Corprate Typefaces (theory)

[07] Various Types of a Corporate Typeface

Corprate Typefaces (theory)

[08] Custom Typefaces / Pros & Cons

Corprate Typefaces (theory)

[09] Custom Typefaces / Inspiration

Corprate Typefaces (theory)

[10] Custom Typefaces / Conclusion

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