Allrounder Grotesk Mono — The invisible Monospace.
People have identities. So do typefaces. Fonts matter because identity matters.

Allrounder Grotesk Mono

Allrounder Grotesk Mono is a fixed-width typeface with rational modernist letterforms in five weights from Light to Bold and 580+ glyphs per font. Its vertical metrics match those of the other Allrounder fonts for effortless pairing. Neither typewriter nostalgia nor cyberspace escapism—if there is such a thing as a monospace workhorse, this is it.

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Allrounder Grotesk Mono – The complete family

These are all the styles contained in the Allrounder Grotesk Mono font family. You can purchase single fonts or family packages.

Allrounder Grotesk Mono (5 Fonts)

From €79.00 excl. VAT
Light Book Regular Medium Bold

Allrounder Grotesk Mono – Styles

Write your own words — like a book or movie title, business name, brand claim, advertising slogan, or a short text — to see how they look typeset in Allrounder Grotesk Mono.

Allrounder Grotesk Mono Bold
€30.00
Size
Video games are bad for you? That's what they said about rock-n-roll.
Allrounder Grotesk Mono Medium
€30.00
Size
Video games are bad for you? That's what they said about rock-n-roll.
Allrounder Grotesk Mono Regular
€30.00
Size
Video games are bad for you? That's what they said about rock-n-roll.
Allrounder Grotesk Mono Book
€30.00
Size
Video games are bad for you? That's what they said about rock-n-roll.
Allrounder Grotesk Mono Light
€30.00
Size
Video games are bad for you? That's what they said about rock-n-roll.

Allrounder Grotesk Mono – Character Set

These are all the characters contained in the Allrounder Grotesk Mono glyph set. It’s a great way for you to check the language support, stylistic alternates, OpenType features, and special characters like dingbats and icons. Click a character to see more details.

Character map
Font styleUnicode decimal32Unicode hex0020HTML entity 
Basic Latin
!
"
#
$
%
&
'
(
)
*
+
,
-
.
/
0
1
2
3
4
5
6
7
8
9
:
;
<
=
>
?
@
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
[
\
]
^
_
`
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
{
|
}
~
Latin-1 Supplement
 
¡
¢
£
¤
¥
¦
§
¨
©
ª
«
¬
®
¯
°
±
²
³
´
·
¸
¹
º
»
¼
½
¾
¿
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ð
Ñ
Ò
Ó
Ô
Õ
Ö
×
Ø
Ù
Ú
Û
Ü
Ý
Þ
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ð
ñ
ò
ó
ô
õ
ö
÷
ø
ù
ú
û
ü
ý
þ
ÿ
Latin Extended-A
Ā
ā
Ă
ă
Ą
ą
Ć
ć
Ĉ
ĉ
Ċ
ċ
Č
č
Ď
ď
Đ
đ
Ē
ē
Ĕ
ĕ
Ė
ė
Ę
ę
Ě
ě
Ĝ
ĝ
Ğ
ğ
Ġ
ġ
Ģ
ģ
Ĥ
ĥ
Ħ
ħ
Ĩ
ĩ
Ī
ī
Ĭ
ĭ
Į
į
İ
ı
IJ
ij
Ĵ
ĵ
Ķ
ķ
ĸ
Ĺ
ĺ
Ļ
ļ
Ľ
ľ
Ŀ
ŀ
Ł
ł
Ń
ń
Ņ
ņ
Ň
ň
ʼn
Ŋ
ŋ
Ō
ō
Ŏ
ŏ
Ő
ő
Œ
œ
Ŕ
ŕ
Ŗ
ŗ
Ř
ř
Ś
ś
Ŝ
ŝ
Ş
ş
Š
š
Ţ
ţ
Ť
ť
Ŧ
ŧ
Ũ
ũ
Ū
ū
Ŭ
ŭ
Ů
ů
Ű
ű
Ų
ų
Ŵ
ŵ
Ŷ
ŷ
Ÿ
Ź
ź
Ż
ż
Ž
ž
Latin Extended-B
Ə
ƒ
Ɲ
Ǧ
ǧ
Ǫ
ǫ
Ǻ
ǻ
Ǽ
ǽ
Ǿ
ǿ
Ș
ș
Ț
ț
Ȳ
ȳ
ȷ
IPA Extensions
ə
ɲ
Spacing Modifier Letters
ˆ
ˇ
˘
˙
˚
˛
˜
˝
Combining Diacritical Marks
̀
́
̂
̃
̄
̆
̇
̈
̊
̋
̌
̒
̣
̦
̧
̨
̷
̸
Latin Extended Additional
General Punctuation
Superscripts and Subscripts
Currency Symbols
Letterlike Symbols
Number Forms
Arrows
Mathematical Operators
Geometric Shapes
OpenType features
OFF
¡
ON
¡
Font styleUnicode decimal161Unicode hex00a1OpenType featurecaseHTML entities&#xa1;
Case-Sensitive Forms
¡
¿
/
\
-
(
)
{
}
[
]
«
»
|
¦
̷
̸
Glyph Composition / Decomposition
̊́
Denominators
0
1
2
3
4
5
6
7
8
9
Fractions
/
0
1
2
3
4
5
6
7
8
9
Numerators
0
1
2
3
4
5
6
7
8
9
Scientific Inferiors
0
1
2
3
4
5
6
7
8
9
Circled Figures
0
1
2
3
4
5
6
7
8
9
Black Circled Figures
0
1
2
3
4
5
6
7
8
9
Squared Figures
0
1
2
3
4
5
6
7
8
9
Black Squared Figures
0
1
2
3
4
5
6
7
8
9
Circled Arrows
Black Circled Arrows
Squared Arrows
Black Squared Arrows
Subscript
0
1
2
3
4
5
6
7
8
9
Superscript
0
1
2
3
4
5
6
7
8
9

Allrounder Grotesk Mono – Design Information

Allrounder Grotesk Mono is a non-proportional typeface that brings the neutral modernist shapes of Allrounder Grotesk into the world of contemporary correspondence, computer code, and corporate affairs.

Fixed-pitch fonts add an interesting tone of voice to the adept typographer’s repertoire. The mechanistic approach to type design, forcing every letterform into the same amount of horizontal space, was born out of necessity in the typewriter age but has developed a life and personality of its own over the years.

It’s an intriguing paradox: on the one hand, monospace fonts per se signify that something has been created on a machine or even by a machine in the way that a cog might signify that something is manufactured in a factory rather than an artisanal workshop. On the other hand, monospace can communicate that a human being has been involved: we’re used to the front-end of apps and websites automatically churning out high-gloss text in quality proportional fonts—but we expect the backend code to be written by capable human programmers. And in spite of the demise of typewriters, a monospace feels somehow “hand-typed” (as opposed to handwritten, since we’ll suspect a script font rather than a capable calligrapher whenever we see a beautiful cursive).

Allrounder Grotesk Mono lets you use this spectrum of typographic moods for your own purposes.

Your voice as editor should stand out against the content of your literature magazine? Allrounder Grotesk Mono for the editorial. Your hipster art collective doesn’t like a “designy” branding? Allrounder Grotesk Mono for the proper non-designed look. Programming in any old monospace font is tedious and doesn’t reflect your structured mind? Allrounder Grotesk Mono for your code. The client wouldn’t pay the bill set in Allrounder Grotesk? Allrounder Grotesk Mono for the dunning letter.

Granted, a monospace font is never the most versatile instrument in your typographic toolbox. But the neutral shapes of Allrounder Grotesk Mono will make sure you can use it for all of the aforementioned—and much more. It avoids the atavism of typewriter fonts and it doesn’t look like it’s been beamed down straight from Alpha Centauri, either. It’s just as reliable, adaptable, and capable as its Allounder kin.

Allrounder Grotesk Mono consists of five weights from Light to Bold with 580+ glyphs per font. The family supports more than 200 Latin-based languages, containing the complete “LatinPlus” glyph set developed by Underware. It provides you with plenty of OpenType features and additional goodies, like boxed and circled positive and negative arrows, superiors, fractions, and localized forms.

Use it for personal correspondence, hero copy, and even in display sizes if you want an edgy look. Use it for tables that need to radiate trustworthiness and authority. Use it for business reports, magazines and editorial layouts, nonfiction books, branding and packaging work, forms and contracts, or contemporary posters. Like its proportional sibling [LINK: Allrounder Grotesk], Allrounder Grotesk Mono is up for it.

Allrounder Grotesk Mono will meet all of your expectations toward an Allrounder font: its metrics and texture are adjusted to those of the other members of the superfamily, e. g., Allrounder Grotesk, Allrounder Antiqua, or Allrounder Monument. All of them may be easily combined with Allrounder Grotesk Mono. It’s a complete typesetting system whose components match each other perfectly.

If there is such a thing as a monospace workhorse, this is it.

Perfect Pairing: Allrounder Grotesk Mono + Allrounder Grotesk

Allrounder Grotesk is the ideal complement to Allrounder Grotesk Mono. They both share common vertical metrics and a common color. This allows you to pair both typefaces within the same layout—even within the same paragraph—without creating visual disruption. Head over to the Family Page of Allrounder Grotesk to get more information about this typeface.

Design Trick: Writing About Code With the Allrounder Superfamily

If you have a tech blog or publication or if you write about code in any context, the Allrounder superfamily is just the right tool for you.

Combining Allrounder Grotesk with Allrounder Grotesk Mono makes layouts with inline code snippets a walk in the park. Your body text in Allrounder Grotesk will get the same emphasis as your code snippets in Allrounder Grotesk Mono, yet both are distinguished with two different typefaces. No more tedious size-adjusting and browsing for monospace fonts that harmonize with your copy: You can apply the same size, the same line-height, the same settings to both typefaces—your text will look fresh and crisp right out of the box.

In any kind of design, in any type of medium, working with Allrounder fonts is effortless. That’s why Allrounder got its name.



Credits
Graphics & Editing: Johannes López Ayala

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